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Content includes:
Persona Exhibition of Graphic Design
What ‘Persona’ Exhibition Suggests Isamu Kurita
‘Persona’ Exhibition and 11 members Ryuichi Yamashiro
Kazumasa Nagai
Gan Hosoya
Toshihiro Katayama
Kiypshi Awazu
Ikko Tanaka
Mitsuo Katsui
Shigeo Fukuda
Akira Uno
Makoto Wada
Tadanori Yokoo
Yusaku Kamekura
Paul Davis
Louis Dorfsman
Karl Gerstner
Design policy of Olivetti Chikara Hanzawa
Exhibition of Modern Publicity 35 Hiroshi Ohchi
Design Show of Tokyo Commercial Artists Association
New Trends in British Bank Advertising George Worledge

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Idea 75, 1966. Cover design by Hiroshi Ohchi
Idea 75, 1966. Cover design by Hiroshi Ohchi
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 

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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. A new book published by MIT Press written by Matthew Wizinsky.