Information

Content includes:
Ewald Breuer
ICSID ’73 KYOTO
Art Direction of SM by Wim Crouwel
Erberto Carboni by Guido Piovene, Marco Valsecchi
An Artist’s Career by Fritz Eichenberg
Traditional Japanese Package Designs Show
Opening Campaign for Shibuya PARCO by Jun Kusakari
Marie Michal
Jan Lenica’s Poster and Animated Film
Elements of idea “Silhouettes” by Shigeo Fukuda
Identification for Shimoda Prince Hotel
Taki Takamura’s Illustration
Wedag – Workshop of Environmental Design, Athens, Greece.
Tableaux by Yukio Kanise
The 8th Exhibition of Japan Package Design Association (JPDA)
Promotion Pieces of Esquire

Details

Linked Information

Idea 122, 1974. Cover design by Erbert Carboni.
Idea 122, 1974. Cover design by Erbert0 Carboni.

 

Idea 122, 174 - Wim Crouwel Feature
Idea 122, 174 – Wim Crouwel Feature

 

Idea 122, 174 - Wim Crouwel Feature
Idea 122, 174 – Wim Crouwel Feature

 

Idea 122, 174 - Erberto Carboni
Idea 122, 174 – Erberto Carboni

 

Idea 122, 174 - Erberto Carboni
Idea 122, 174 – Erberto Carboni
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.

Members Content

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.

Members Content

A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.