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Content includes:

Typographic design in U.S.A. Yusaku Kamekura
Exhibition of Japanse advertising art in Austria Hiroshi Ohchi
Hans Haderek
The Nika Commercial Art Exhibition
P.R. of W. S. Crawford’s exhibitions
Typographic design in America
Hans Haderek
The Nika Art Exhibition
Trends of commercial photograph K. Tsukada
Photograph and design M. Katsui
The neutral form S. Imatake
Brief history of Japanese commercial art A. Yamana
New packaging concepts sell and satisfy Printer’s Ink
Editor’s note

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Idea 33, 1959-2. Cover design by Erick Buchergger
Idea 33, 1959-2. Cover design by Erick Buchergger
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.

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In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.