Idea Special Issue – British Visual Communication Design 1900-1985

Information

Content includes:
British Graphic Design, Present, and Future / Ken Garland
Around England and British Design / Shigeru Watano
Biography
History Chart (Binding) / Pieter Brattinga
F.H.K.Henrion
Herbert Spencer
Alan Fletcher
Colin Forbes
Hypnosis
Bob Gil
Hans Schlager
Peter Savill
Alan Aldridge
Derek Bazaar
David Hillman

Details

Linked Information

Idea Special Issue - British Visual Communication Design 1900-1985
Idea Special Issue – British Visual Communication Design 1900-1985

 

Idea Special Issue - British Visual Communication Design 1900-1985
Idea Special Issue – British Visual Communication Design 1900-1985 – F.H.K. Henrion

 

Idea Special Issue – British Visual Communication Design 1900-1985 – F.H.K. Henrion
Idea Special Issue – British Visual Communication Design 1900-1985 – F.H.K. Henrion

 

Idea Special Issue – British Visual Communication Design 1900-1985 – Abram Games
Idea Special Issue – British Visual Communication Design 1900-1985 – Abram Games
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.