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Content includes:
Prints by Yozo Hamaguchi
Designer’s collection Ryuichi Yamashiro
Müller Brockmann Works Collection Masaru Katsumi
Print Design Laboratory 5 / Noh Ikko Tanaka
Light and shadow of Noh Akira Maruoka
Nikon and Yusaku Kamekura Jun Hamamura
Kotobukiya’s design policy Hideo Mukai
One side of Fortune magazine design policy
Show window display / Wako and Kenji Ito Noboru Kawazoe
Book review
Portfolio World Bibliography

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 5, 1961. Cover design by Yusaku Kamekura
Graphic Design 5, 1961. Cover design by Yusaku Kamekura

 

Graphic Design 5, 1961.
Graphic Design 5, 1961.

 

Graphic Design 5, 1961.
Graphic Design 5, 1961.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Helmut Schmid Typography explores the typographer’s oeuvre in its entirety. The book’s generous design allows each image to breathe, and the accompanying texts narrate Schmid’s life and career in an informative and pleasant manner.

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When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.