Information

Content includes:
Bring Back Human Error: Editorial
The Successful Partnership of Lewitt and Him by E. A. Cabrelly
Colour in Industry by Walter H. Clark, A.R.I.B.A.
Industry as Art Patron by Henry Rushbury, R.A.
New Designs from the Factories
An Infinite Capacity for Taking Pains by John Waterer, F.R.S.A.
Exhibition Technique in Museum Design by Richard Ounsworth

Details

Linked Information

Art & Industry 292, October 1950. Cover design by Tom Eckersley
Art & Industry 292, October 1950. Cover design by Tom Eckersley
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.
Oskar Reiner advertisements for Opel distinguish themselves by clarity and visually appealing conception.

Members Content

1930s periodical 'Monografieën over filmkunst' designed by dutch designer Piet Zwart remains a pinnacle of Dutch avant-garde design.

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.