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der Film, Kunstgewerbemuseum Zürich, 1960. Designed by Josef Müller-brockmann, Jörg hamburger, Serge Stauffer
der Film, Kunstgewerbemuseum Zürich, 1960. Designed by Josef Müller-brockmann, Jörg hamburger, Serge Stauffer
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

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The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.

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A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.