Information

Published by the journalism working group of the Technical University of Braunschweig. Editors included Werner Steffens (later mayor of Braunschweig). The fantastic graphic design was by Manfred Bremeier and Udo Zisowsky. The publication includes articles on politics, art and culture.

Details

Linked Information

Omnibus 8, University of Braunschweig, 1963. Designed by Udo Zisowsky in collaboration from Peter Riefenstahl, Isar Peters, Manfred Bremeler
Omnibus 8, University of Braunschweig, 1963. Designed by Udo Zisowsky in collaboration from Peter Riefenstahl, Isar Peters, Manfred Bremeler

 

Omnibus 8, University of Braunschweig, 1963. Designed by Udo Zisowsky in collaboration from Peter Riefenstahl, Isar Peters, Manfred Bremeler
Omnibus 8, University of Braunschweig, 1963. Designed by Udo Zisowsky in collaboration from Peter Riefenstahl, Isar Peters, Manfred Bremeler

 

Omnibus 8, University of Braunschweig, 1963. Designed by Udo Zisowsky in collaboration from Peter Riefenstahl, Isar Peters, Manfred Bremeler
Omnibus 8, University of Braunschweig, 1963. Designed by Udo Zisowsky in collaboration from Peter Riefenstahl, Isar Peters, Manfred Bremeler

 

Omnibus 8, University of Braunschweig, 1963. Designed by Udo Zisowsky in collaboration from Peter Riefenstahl, Isar Peters, Manfred Bremeler
Omnibus 8, University of Braunschweig, 1963. Designed by Udo Zisowsky in collaboration from Peter Riefenstahl, Isar Peters, Manfred Bremeler
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

Members Content

He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.