Information

Edited by Simon Johnston, Mark Holt, Hamish Muir and Michael Burke.
“The editors took a modernist stance – each issue was at the cutting edge of what was possible with typesetting, reprographics and print, produced at a time when the industry was transitioning from analogue to digital. The first 6 issues and aspects of the 7th issue were analogue based. Each of the printed issues was 16pp A4 format with 4pp cover and 8pp semi-transparent jacket. The typeface used throughout was Scangraphic Unica.” Mark Holt, Editor

Details

Linked Information

Octavo Issue 88.6, 1988. Designed and edited by 8VO
Octavo Issue 88.6, 1988. Designed and edited by 8VO
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The advertising has a certain contrast of hand-drawn and mechanical. Produced entirely in black, it reminds us that the absence of colour can be highly effective. Hans Michel and Günther Kieser's illustrations bring a sense of both playfulness and a stylistic approach to a corporate client.

Members Content

Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.

Members Content

Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

Members Content

A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.