Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Museumjournaal, Serie 21 Extra Issue, 1976

, ,

Information

Details

  • Format: Exhibition Catalogue
  • Designer/s: Layout: Frans Evenhuis and Piet van Meiji | Cover: Swip Stolk
  • Year: 1976
  • Client/Publisher: Stichting Kunstpublicaties
  • Size: 175mm x 250mmm

Linked Information

Museumjournaal, Serie 21 Extra Issue, 1976. Layout: Frans Evenhuis and Piet van Meiji | Cover: Swip Stolk
Museumjournaal, Serie 21 Extra Issue, 1976. Layout: Frans Evenhuis and Piet van Meiji | Cover: Swip Stolk
More graphic design artefacts
Commercial Art Vol 2, No 16, February 1924
From the design archive:

Commercial Art Vol 2, No 16, February 1924

  • Format: Magazine
  • Year: 1924
View Artefact
The Complete Commercial Artist (現代商業美術全集), Ars, No. 18, 1928
From the design archive:

The Complete Commercial Artist (現代商業美術全集), Ars, No. 18, 1928

  • Format: Magazine
  • Year: 1928
View Artefact
State Bauhaus in Weimar 1919-1923 (Facsimile Edition), Lars Müller, 2019
From the design archive:

Staatliches Bauhaus in Weimar 1919-1923 (Facsimile Edition), Lars Müller, 2019

  • Format: Book
  • Designer/s: László Moholy-Nagy
  • Year: 1923 / 2019
View Artefact
Karel F. Treebus, Typograaf, Staatsuitgeverij, 1986
From the design archive:

Karel F. Treebus, Typograaf, Staatsuitgeverij, 1986

  • Format: Book
  • Year: 1986
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

DSC_0677
  • Design Archive Feature, Members Only Content

Ken Briggs and his iconic designs for the National Theatre

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

FILM Quarterly, 05, 1970. Cover design by Kiyoshi Awazu
  • Design Archive Feature, Members Only Content

Kiyoshi Awazu. Japanese Graphic Designer | 1929 – 2009

Kiyoshi Awazu (粟津) was a renowned Japanese graphic designer, known for his contributions across various creative fields including poster design, architecture, set design, filmmaking, and illustration. His unique style was commissioned by theatre groups, design and architecture magazines and various organisations for the covers of book covers and posters.

Members Content

"Kissho, Shofuku, Hanjo" Tadanori Yokoo's Silkscreen Poster Exhibition in 1997
  • Design Archive Feature, Members Only Content

“Kissho, Shofuku, Hanjo” Tadanori Yokoo’s Silkscreen Poster Exhibition in 1997

In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters. 
Scan 143 copy 5
  • Design Archive Feature

Geigy Chemical Corporation, USA. An Example of Integrated Advertising by William B. McDonald

An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.