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Content includes:
COMMERCIAL ART AND THE B.E.E.
H. M. BATEMAN
A COPYRIGHT ACTION
THE NEW ROYAL ARMS
THE TECHNIQUE OF LAY-OUT
COMMERCIAL ART IN PRACTICE
OFFICES: PLEASANT AND UNPLEASANT
SOME PRINCIPLES OF LETTERING
PHOTO-ENGRAVING
SPEED OF PRODUCTION IN OFF-SET PRINTING
VISITING CARDS (PART I)

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Commercial Art Vol 2, No 1, May 1924. Cover illustration by Alfred John Nunney
Commercial Art Vol 2, No 1, May 1924. Cover illustration by Alfred John Nunney
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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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KLM's brand evolution by Henrion Design Associates. Founded in 1919, KLM is the world's oldest operating airline. In 1961, Henrion Design Associates redesigned the iconic brand, overcoming challenges of standardisation and outdated aesthetics.

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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.