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Wanted: Andy Warhol, New York City, 1964
Wilhelm Vossenkuhl: nicht ich? – ich nicht! Abgelehnt- was bedeutet das?
Hans Hansen: ..auch er.
Thomas Rempen: Haßliebe
Manfred Sack: Teures Risiko
für die kleine Chance, entdeckt zu werden.
56 Gestalter öffnen ihr Archiv: Entwürfe, die nicht verwirklicht wurden. Including Walter Ballmer, Ruedi Baur, Burton Kramer, Paul Rand and many more.

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HQ- High Quality, Heft 30 3/1994. Designed by Büro Rolf Müller
HQ- High Quality, Heft 30 3/1994. Designed by Büro Rolf Müller
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.

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Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.