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Content includes:
Marzena Noemi Domagala: Eine unendliche Geschichte
Walter Siegfried: Der Sog des Himmels
Cassius Clay: Get up.
Eugen Lammer (1922): Matterhorn abwärts
Ulrich Mertens: Drunter
und Drüber
Uwe Loesch und Stefan Soltek: Relativ hoch
Dieter Leister: Auf..
…blicke?
Wolf Wondratschek: In den Bäumen
Hama Werner: Am Trapez
Daniil Charms: 2 Geschichten
Rainer Usselmann: Hand und Fuß
Hans Christian Andersen und Martin Glomm: Das Feuerzeug
Amir Mavignier
Yü Bingnan
Henry Wolf

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HQ- High Quality, Heft 27 3/1993. Designed by Büro Rolf Müller
HQ- High Quality, Heft 27 3/1993. Designed by Büro Rolf Müller
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.