Form, Internationale Revue 43, September 1968

Information

Content includes:
Theorien, Meinungen
Revolution im Design ?
Ein Gespräch mit Werner Nehls
H. Seeger, Funktionalismus
im Rückspiegel des Design
H. Tochtermann, Das Produkt
ist die Botschaft
Analyse – O. Klose, 13 Montage-Systeme
Produkte
Flexible Beleuchtung aus der Schiene
Aus Schaum und Polyester gebaut
Design auf dem Holzweg
Mit Griff und ohne mobile TV-Geräte
Wettbewerbe – Ohne Nürnberger Ei – Der Kienzle-Uhrenwettbewerb
form-Forum
E. Reichl, Umweltgestaltung
was ist das ?
G. Bonsiepe, Zur Abgrenzung
G. Müller-Krauspe, Versuch
einer Deutung
E. Auer, Beständigkeit = gutes Design?
Markt – Produkte, gesehen und notiert
Berichte, Notizen
Plattform
Rezensionen

Details

Linked Information

Form, Internationale Revue 43, September 1968. Designed by Karl Heinz Krug
Form, Internationale Revue 43, September 1968. Designed by Karl Heinz Krug
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From the design archive:
From the design archive:
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A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.

Members Content

As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.
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Members Content

Each year, leading Dutch artists were commissioned to design the covers and inner pages of Drukkersweekblad en Autolijn. Including designers included Dick Elffers, Willem Sandberg, Jan van Toorn, Wim Crouwel, and Jurriaan Schrofer. The journal documented important design trends and developments in The Netherlands.