Information

Content includes:
Design-Institutionen
Design-Verbände
H. H. Baumann, Berlin will internationals Design-Zentrum werden
J. Hämer, Nicht in Honoraren, sondern in Kosten denken
G. Müller-Krauspe, 2000 draußen vor der Tür
Fragestellungen Auffassungen
R. Schwendter / O. Aicher/ H. Vetter / M. Bill, Design ? Umwelt wird in Frage gestellt
J. Mc. Hale / L. Giesz/ G. Dorfles/ H. Seeger, Phänomen Kitsch
Grafik-Design
R. Hiepe, Comic Strips – Wesen und Wirkung einer optischen Ware
J. Beckelmann, Comics in der Diskussion
J. Schmidt, Zum Stil einer Agentur
Produkte – „Schularbeit” – Ein Büroarbeitsplatz Integriertes Büroplatzsystem Olympia
form-Forum – Studenten antworten- Situation der Design-Schulen
Markt – Produkte, gesehen und notiert

Details

Linked Information

Form, Internationale Revue 50, June 1970. Designed by Karl Heinz Krug
Form, Internationale Revue 50, June 1970. Designed by Karl Heinz Krug
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion

Members Content

Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.
Support American Bauhaus on Kickstarter to pre-finance the project and its production: www.kickstarter.com/projects/908813786/american-bauhaus