Information

Content includes:
① 15 photographers exhibition / Mutsuro Sakata
② Book review / Design for survival / Ko Miyauchi
③ New issue introduction Photographs and art
④ New issue introduction Sandwich silencer / Takeshi Hisada
⑤ Suburbs to be decolorized / Takeo Kitano
Max Bill prints
For the new prints of Max Bill / Toshiro Habara
Writer Series 6th Toshihiro Katayama’s modeling
Modeling by Toshihiro Katayama / Koji Taki
Mr. Katayama from the United States / Susumu Shingu
Mental topology traveler / Shutaro Mukai
Katayama and I / Tsunehisa Kimura
Yusaku Kamekura’s symbol mark / Kazumasa Nagai
Illustration by Haruo Takino / Ikko Tanaka
From a solo exhibition at Fujie Gallery
Sandwich silencer
Frank Lloyd Wright’s decoration / Photo: Shunji Okura
Warship and grassland / Shinichi Kusamori
Graphic image” 74
It’s a splendid salon, but the “critical place” is / Ryoichi Hirai
Series ③ Rational part of the horizon image of design Jacques Bertin’s “figure” semiotics / Koji Taki

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Linked Information

Quarterly Design No.7 Autumn 1974. Cover design by Toshihiro Katayama
Quarterly Design No.7 Autumn 1974. Cover design by Toshihiro Katayama

 

Quarterly Design No.7 Autumn 1974
Quarterly Design No.7 Autumn 1974

 

Quarterly Design No.7 Autumn 1974
Quarterly Design No.7 Autumn 1974
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.