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Content includes:
Werbung Prognosen Interviews
Th. Ellwein, Die Zukunft der Massenkommunikation
„,Der Verbraucher ist nahezu total manipuliert” sagen die Jusos
H. Lubalin: „Die zweidimensionalen Möglichkeiten der Gestaltung scheinen so gut wie erschöpft”
Analyse P. v. Kornatzki: X-TRA Gewinnen Sie den Elefanten
J. Schmidt: Mit allen Prestige – wassern . . . (Lehrlingswerbung)
Grafik-Design
l. Klöcker, Identität oder Identifikation? (Firmen-Image)
Produkt-Design
M. Sack, Münchener Spiele – storniertes Design
K.-D. Stoffers, Zwischen Kunst, Kommerz und Kitsch Olympia-werbung „Olympic Souvenir”
E. Pumpe-Krüger, Der Schlauch von Köln (Möbelmesse)
Institutionen – Das Design-Zentrum wird in Frage gestellt
form-Forum – ,,Industrial Design” – nur für Eingeweihte?
Markt – Produkte, gesehen und notiert

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Linked Information

Form, Internationale Revue 53, 1, 1971. Designed by Karl Heinz Krug
Form, Internationale Revue 53, 1, 1971. Designed by Karl Heinz Krug
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.

Members Content

In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.

Members Content

Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet. 
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.