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Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

Univers Specimen, Deberny & Peignot, 1964
Univers Specimen, Deberny & Peignot, 1964

 

More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.

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Jean Carlos Distefano is an Argentinian artist, designer and teacher. He designed a range of posters, programmes brochures and book covers alongside Juan Andralis, Humberto Rivas and Roberto Alvarado for the Instituto di Tella, Buenos Aires.

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“Der Druckspiegel” typographic supplement May 5, 1967, was focused on a selection of the winning entries from Die besten Plakate des Jahres featuring over fifty winning entries.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.