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Content includes:
Vision from the sky Ryuichi Hamaguchi Photo: Yukio Futagawa
Duo Color Page Mark of Nippon Design Center – Yusaku Kamekura
Looking at textile designs for overseas interiors – Tadao Matsui
Serial Roundtable 5 on the Dress Design World – Shigehei Ito, Yoko Kuwazawa, Masaru Katsumi
Knife, fork and spoon – Nobuya Abe
Dali and jewel design – Masaru Katsumi
Temporal and spatial consciousness essay on design logic – Susumu Okada
His craft design from the workplace – Tatsumi Kato
Nothing design Shoe wooden pattern Nobuyoshi Mizuno Photo: Hisashi Furuya

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Linked Information

Design (Japan), 7, 1960. Cover design by Yusaku Kamekura
Design (Japan), 7, 1960. Cover design by Yusaku Kamekura
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The Best Swiss Posters Award was an annual competition, judged by a Swiss Jury. They selected a range of posters, showcasing a range of poster styles from completely typographic designs such as the work of Robert Büchler, to the illustrated posters of Donald Brun.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."

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Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.