The Journal of Decorative and Propaganda Arts 04, Spring 1987

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Content includes:
The Search for Visual Democracy – Isabelle Anscombe
New Classicism: Design of the 1920s in Denmark – Claire Selkurt
Oto Gutfreund and the Czech National Decorative Style – Penelope Curtis
Joe Jones: Regionalist, Communist, Capitalist – Karal Ann Marling
DAPA Duoview: Dianne Pilgrim and Richard Guy Wilson – DAPA, Dianne Pilgrim and Richard Guy Wilson
Rome Letter from Exoticism to Abstraction through the 1930s – Mario Quesada and Shara Wasserman
London Letter – Peyton Skipwith
Correction: Interview: Piero Fornasetti/Intervista: Piero Fornasetti

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The Journal of Decorative and Propaganda Arts 04, Spring 1987
The Journal of Decorative and Propaganda Arts 04, Spring 1987
More graphic design artefacts
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More graphic design history articles
Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.

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Collected examples of the Royal Society for the Prevention of Accidents (RoSPA) Cycling Safety and Proficiency design output, a landmark initiative aimed at enhancing cycling safety.

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Japanese modern design was heavily influenced by European art movements, particularly modernism and the Bauhaus school. As Japan's advertising industry expanded, it increasingly drew from Western culture, especially television and film, resulting in designs that were eclectic, vibrant, and infused with modernist energy.

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.