Design Reviewed

FUN, October 16, 1869

Members Content

Victorian Graphic Design in Britain and America

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
FUN, October 16, 1869

Members Content

This is a members-only article, gain access and support the archive for £1.99 a month.
Memberships help grow the design collection and share research on the history of graphic design.

You can sign up here.

Already a member?

Sign in below

view more of the archive

Related Items from the Archive
Scientific American, Volume 79, Issue 4, July 1898
From the design archive:

Scientific American, Volume 79, Issue 1, July 1898

  • Format: Magazine
  • Year: 1898
View Artefact
Punch, January 25, 1862.  Punch was a British publication founded in 1841 and was a satiric and humorous magazine.
From the design archive:

Punch, January 25, 1862

  • Format: Magazine
  • Year: 1862
View Artefact
FUN, October 16, 1869.  Fun was a Victorian weekly humorous magazine, first published on 21 September 1861 in competition with Punch.
From the design archive:

FUN, October 16, 1869

  • Format: Magazine
  • Year: 1869
View Artefact
Graphic Design before Graphic Designers - The Printer as Designer and Craftsman 1700 - 1914, Thames & Hudson, 2012
From the design archive:

Graphic Design before Graphic Designers: The Printer as Designer and Craftsman 1700 – 1914, Thames & Hudson, 2012

  • Format: Book
  • Year: 2012
View Artefact
More graphic design history articles

Members Content

Karl Otto Goetz - Sprengel Advertisements. Scanned from Gebrauchsgraphik 06, 1954
  • Design Archive Feature, Members Only Content

Sprengel, a Comparison of Advertisements from the 1950s

When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz
Read Article

Members Content

Kupka, Stedelijk Museum, Amsterdam, 1968 designed by Wim Crouwel (Total Design)
  • Design Archive Feature, Members Only Content

Wim Crouwel and the Stedelijk Museum

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s. 
Read Article
The Student Work of The Polytechnic School of Printing, London, 1910
  • Design Archive Feature

Student Work (1907 – 1910) from The Polytechnic School of Printing, London

I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.
Read Article

Members Content

Advertisements for Radio Italiano designed by Erberto Carboni Scanned from Publimondial 29, 1950
  • Design Archive Feature, Members Only Content

Erberto Carboni and his work for Radio Italiana, 1940s and 1950s

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
Read Article