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It is published by the Polygraphic Research Institute, a specialized publishing and publishing center.
Graphic design of the cover by Milan Hegar.
Graphic editing (excluding advertisements) by Jiří Rathouský.
Prepared for printing by František Fantyš.

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Typografia, ročník 72, 6, 1969. Cover design by Milan Hegar
Typografia, ročník 72, 6, 1969. Cover design by Milan Hegar

 

Typografia rocnik 72 6 1969. Cover design by Milan Hegar

 

Typografia, ročník 72, 6, 1969. Cover design by Milan Hegar
Typografia, ročník 72, 6, 1969. Cover design by Milan Hegar
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion
Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.