Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Typografia, ročník 60, 07-08, 1957

Information

Published by Práce, publishing house and publisher ROH in Prague for the Printing Industry Association in Prague, Printing Industry in Bratislava and Trade Union of Consumers industry in Prague.
Chief editor: Stanislav Soucek.
Cover design Oldřich Hlavsa.

Details

  • Format: Magazine
  • Designer/s: Oldřich Hlavsa
  • Year: 1957
  • Size: 235mm x 310mm

Linked Information

Typografia, ročník 60, 07-08, 1957. Cover design by Oldřich Hlavsa
Typografia, ročník 60, 07-08, 1957. Cover design by Oldřich Hlavsa
More graphic design artefacts
Der Druckspiegel, 05, May 1962
From the design archive:

Der Druckspiegel, 05, May 1962

  • Format: Magazine
  • Designer/s: Kurt Weidemann
  • Year: 1962
View Artefact
Publimondial 21, 1949. Cover design by Madeleine Prévôt.
From the design archive:

Publimondial 21, 1949

  • Format: Magazine
  • Designer/s: Madeleine Prévôt
  • Year: 1949
View Artefact
Calder, Stedelijk Museum, Amsterdam, 1969 designed by Wim Crouwel
From the design archive:

Calder, Stedelijk Museum, Amsterdam, 1969

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel (Total Design)
  • Year: 1969
View Artefact
Idea 010, 1955. Cover design by Herbert Bayer
From the design archive:

Idea 010, 1955

  • Format: Magazine
  • Designer/s: Herbert Bayer
  • Year: 1955
View Artefact

view more of the graphic design archive

More graphic design history articles
Inspiring-the-students-at-Arts-University-Bournemouth--1024x723
  • Workshops and Lectures

Inspiring the students of Arts University Bournemouth

My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.
Read Article
Graphis 148, 1970 deisgned by Gottschalk + Ash
  • Design Archive Feature

Gottschalk + Ash by Bill Bantey, 1970

When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
Read Article

Members Content

Japanese Ephemera from the 1920/30s
  • Design Archive Feature, Ephemera, Illustrated Matchboxes, Members Only Content

A Collection of Japanese Ephemera from the 1920s and 30s

Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.
Read Article

Members Content

Cinderella - Stuttgart, Bundesn Gartenschau, 1961
  • Design Archive Feature, Members Only Content

Cinderella. A selection of Publicity Stamps and Stickers

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.
Read Article