Information

Opinion:
Editorial Eye 46 – Editorial, John L. Walters
This ‘Australian special issue’ of Eye marks the first time that the magazine has chosen…
Songlines – Inspiration, Nick Bell
The Songlines by Bruce Chatwin. Read and appreciated by Nick Bell
Telling the truth? – Monitor, Keith Miller
Does digital technology democratise the photographic image?
Instant content by Rick Poynor
Design is Kinky is a graphic design website that’s high on content, low on critical awareness. It’s a hit!
Features:
Karijini Centre
A visitor centre offers a pathto understanding the outback
Public toilet signage by Lynne Ciochetto
The particular in the universal
Look inward: graphic design in Australia by Rick Poynor
Is Australia’s global cultural impact reflected in its graphic design?
Mambo: good taste is fine for some by Tim Marshall
Mambo is crude, rude and a global brand. Can it remain subversive?
Reg Mombassa by Rick Poynor
Mambo theology
Political clout: Australian posters by Roger Butler
Screenprints gave both activists and artists a means of direct expression
Form follows purpose: Inkahoots by Rick Poynor
Does this Brisbane studio offer a role model for socially concerned design? [EXTRACT]
Douglas Annand by Anne McDonald
Annand’s pavilion for the New York World’s Fair in 1939 was a triumph
Reputations: Stephen Banham by Rick Poynor
‘Helvetica has become the generic default, a safe formula under the guise of Modernism. It’s all smoke and mirrors.’

Details

Linked Information

Eye, Issue 046, Winter 2002
Eye, Issue 046, Winter 2002
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.

Members Content

Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

Members Content

Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.