Information

Content includes:
Maintaining the Derelict
Advertising to Canadians by Charles W. Stokes
A Book of Design Case Histories: A Review of the Second Annual Publication of U.S. Industrial Design
Reco Capey and the Birth of Flair
A Case History of the Container Design, Packaging, Presentation and Publicity of Yardley’s New Perfume
Typography- The Ambassador: Report on the Third International Silk Congress
The Raymond King Organisation
New Designs from the Factories

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Linked Information

Art and Industry 307, January 1952
Art and Industry 307, January 1952
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.

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Collected examples of the Royal Society for the Prevention of Accidents (RoSPA) Cycling Safety and Proficiency design output, a landmark initiative aimed at enhancing cycling safety.