Art and Industry 310, April 1952

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Content includes:
Competition No. IX
Vive L’Art Lyrique by M. W. Jude
The Building Centre’s New Premises
Good Advertising begins with ‘Good Mornings’
Industrial Design Competition No. IX: Rules and Specifications
Luxury Travel- The American Way
New Designs in Production and Project

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Art and Industry 310, April 1952
Art and Industry 310, April 1952
More graphic design artefacts
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From the design archive:
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Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.