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Content includes:
The Design Correspondent
The March of American Design by René Elvin
The Creative Mind in Advertising-5: Harry Ballam by Mary Gowing, FIPA
Golden Compasses Awards
Ingredients for a House Style
Sixty Years of Design Training by Dora Billington
Current Themes in Advertising Design-1: Consumer Identification
Copperbottom Kitchen-ware

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Art and Industry 370, April 1957
Art and Industry 370, April 1957
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

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Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.