Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995

Information

Details

Linked Information

Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995

 

Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995

 

Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995

 

Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.

Members Content

Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."