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Content includes:
Erik Stockmarr: Sikker Hansen, Kopenhagen
Dr. E. Hölscher: Alois Carigiet, Schweiz
Dr. E. Hölscher : A Child, Winner in a Poster Competition
Dr. E. Hölscher: Varying Forms and Uses of a Publisher’s Mark
Dr. P. W. Meister: Decoration, Works by W. H. Haerlin
Heino Schilinzky: Foreign Countries’ Red Cross Campaign
Dr. E. Hölscher: New Titles of Musical Works
Dr. E. Hölscher: Willi Seidl, Woodcut Artist
Prof. M. Körner: Poster Competition Nuremberg Christmas Fair
Plagiarism or not?
Deutsche Buchwerbung 1949 – German Book Advertising Campaign
Eine Jahresgabe. An Annual Gift

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Gebrauchsgraphik, 01, 1950
Gebrauchsgraphik, 01, 1950. Cover design by Toni Zepf
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.

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When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.