Graphic Design 40, 1970

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Content includes:
Hanafuda etc.
Cuban graphic design Shigeo Fukuda
Young generation 2 Suro Habara
Teruyuki Kunisaki’s Spatial Axis
Takanori Makiya Graphic Chart
Works by Wolfgang Waldherr Masaru Katsumi
Works by Jean-Philippe Lanclos
by Takuya Tsukahara
New Vistas in Design Izuo Sakane
Ben Shahn and instruments

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 40, 1970. Cover design by Masayuki Ito, Kazuyoshi Akiyama
Graphic Design 40, 1970. Cover design by Masayuki Ito, Kazuyoshi Akiyama
Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.

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Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.

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Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.