Industrial Art News – Vol. 23, No. 9, September 1959

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Content includes:
Proposals for the Asia Design Conference
Paper and Modeling (Graph)
Paper and Structure / Seijo Yamaguchi
Machining of paper containers / Yoichi Yamaguchi
My Question-Why Should We Pervert Ethnic Expressions? / Toraro Saito
Floor of Modern House / Ryuichi Hamaguchi
Japanese Telephone / Industrial Crafts Laboratory Guidance Department (Yasuo Yamato)
national show room
“200” lightweight articulated car running on the Tokyu Tamagawa Line / Tetsuya Okada
About Honeycomb Cor Panel / Hokkaido Forestry Guidance Center
Parts Guide: Table Taps, Triple Taps / IAI Research Division
1955 Japan Advertising Exhibition

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Industrial Art News - Vol. 23, No. 9, September 1959. Cover design by Kou Shinagawa
Industrial Art News – Vol. 23, No. 9, September 1959. Cover design by Kou Shinagawa
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun

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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.