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Journal of expression and studies of the Arts, Letters, Ideas

-Marcello-Fabri, musical function of the tongue
-John Charpentier, around an obscurist sonnet by Sainte-Beuve
-Jérôme Soignard, pictorial art taught by children
-Friedrich Nietzsche, to friendship, poem
-Philéas Lebesgue, secret sources of Hitlerism
-Jacques Duvaldizier, reports by Wagner, Nietzsche and Cosima
-Marc-George Mallet, God or Nothingness?
-A.N., Nothing is stable
-Roger Lannes, convalescence, poem
-André Dez, to Jean Cocteau, poem
-Marcello-Fabri, that evening (3 chapters from “Power of Faith”)
-Marcello-Fabri, not every pacifist is necessarily a fugitive
-Émile Gaudissard, the lost opportunity (open letter to Mr. Hitler, Chancellor of the Reich)
-Thor R. Kiimalehto, Is Peace Possible
-Pierre Barniard, atmosphere of shame
-Raymond Luce-Gilson, on the present time
-Albert Tustes, Mr. Léon Blum at the Wailing Wall
– Intellectual realities, interpenetration of literatures

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L'Age Nouveau - Revue n°9, 1938
L’Age Nouveau – Revue n°9, 1938
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Members Content

A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.

Members Content

The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.
The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun