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Content includes:
Tetsuo Katayama attempted to establish a new form in reality / Yoshio Hayakawa
My draft / Tetsuo Katayama
Various Considerations on Design Thoughts / Atsushi Shimada
Hans Wegner and the Significance of His Design From Hans Wegner Exhibition / Tadaomi Mizunoe
Stahlski Poster / Tadashi Ohashi
Visiting Design Schools in the World ④ Yale University, New Haven / Masaaki Tanaka
1964 Calendar / Mitsuo Katsui
Designer three-sided mirror Always think about tomorrow / Hideyuki Oka
This design (3) Paul Rand’s logotype
Addition, subtraction, multiplication and division in graphic design Multiplication and its surroundings ② / Naomi Asakura

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Design (Japan), 58, 1964 Cover design by Kohei Sugiura
Design (Japan), 58, 1964 Cover design by Kohei Sugiura

 

Design (Japan), 58, 1964
Design (Japan), 58, 1964
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.

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The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.

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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

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The Best Swiss Posters Award was an annual competition, judged by a Swiss Jury. They selected a range of posters, showcasing a range of poster styles from completely typographic designs such as the work of Robert Büchler, to the illustrated posters of Donald Brun.