Visible Language (The Journal of Typographic Research), Vol 04, 02, Spring 1970

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Content includes:
Psycholinguistic Universals in the Reading Process, Kenneth S. Goodman
Genesis of the Russia Grazhdanskii Shrift or Civil Type – Part II, Ivan L. Kaldor
Directional Consistency in Form Identification, Jeremy J. Foster
Use of the Search Task in an Analysis of Type Legibility in Cartography, Barbara S. Bartz
Comment: Design Education, Arthur J. Pulos

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Visible Language (The Journal of Typographic Research, Vol 04, 02, Spring 1970
Visible Language (The Journal of Typographic Research, Vol 04, 02, Spring 1970
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Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.

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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.