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Content includes:
Gregory Vines, Basel: Zur Gestaltung der 6 TM-Umschläge für 1978
Willi Kunz, New York: Die Petrogiyphen der nordamerikanischen Indianer
Die ‹ Abrogans ›-Handschrift, das älteste deutsche Buch
Jost Hochuli, St.Gallen: Leben und Werk des Typographen Jan Tschichold
Rom: Photographie von Fredrich Cantor
Dr. K. Schläpfer, St.Gallen: Die richtige Belichtungszeit bei Offsetplatten
Ing. Manfred Brune, Rolf Agte, München: Rasterton und Flächendeckung – zwei Paar Stiefel? – ein Vorschlag zur Güte –
Roger Chatelain : Parenthèse québécoise
Erich Fritz/Marcel Probst : L’avenir appartient-il aux écrans cathodiques? (4)
L’homme et la machine dans un système ‹ Omnitext ›
Nouveautés de Müller Martini et Hunkeler
Le présent et l’avenir des arts graphiques 54 Actualités graphiques

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Typografische Monatsblätter, 01, 1978. Cover design by Gregory Vines
Typografische Monatsblätter, 01, 1978. Cover design by Gregory Vines
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.

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This 1,500 word essay focused on the work of Jan Bons. One of the most prominent figures in Dutch design history. For over three-quarters of a century, he crafted a mass of work with many long-time collaborators.

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.