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Content includes:
André Gürtler, Basel: Schrifttafel, Kufische Schrift Koranhandschrift, 9. Jahrhundert
Gregory Vines, Basel: Zur Gestaltung der TM-Umschlage 1978
Buch und Einband Bilddokumente zur buchgeschichtlichen Entwicklung aus neun Jahrhunderten
Juerg Albrecht, Bern: John Heartfield mont.
Erich Fritz, Waldbronn: Bildschirmstory 1 Text- und Anzeigengestaltung an einem intelligenten Bildschirmterminal
Marianne Nievergelt-Eicher, Zürich: Fotosatzmaterialien und ihre Verarbeitung
Roger Chatelain : Des imprimés personnalisés
Jean Mentha : Ecole des arts et métiers de Neuchâtel
La formation à la photocomposition à l’Erag
Conférence du Cercle international des instituts d’enseignement supérieur pour l’industrie graphique
Nouveaux atouts pour les imprimeur GTO

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Typografische Monatsblätter, 04, 1978. Cover design by Gregory Vines
Typografische Monatsblätter, 04, 1978. Cover design by Gregory Vines
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
Marin Lorenz has had an amazing career, designing for clients such as ESPN and Nike, teaching at some of Europe's leading design schools and publishing books, such as Flexible Visual Sytems, documenting his research and approach to design practice.

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Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. A new book published by MIT Press written by Matthew Wizinsky.