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Content includes:
Printing Image ⑥ Image Light / Fumiko Hibino
Trivial space 72 ⑤City / Naoki Yanagimoto
Prop Art ⑥ Let’s study a little more now / Keisuke Nagatomo, Shinzo Higurashi, Seitaro Kuroda
Space of obscenity ⑤ Laughter in the station building / Tomomi Muramatsu; Photo: Takao Niikura
Current magazine review ⑤ Trick of the geocentric theory / Tetsuo Shimizu; Illustration: Keishiro Komatsu
Toshio Matsumoto’s experimental film
Series ⑥ Adventure of the Circle: Tatji Morohashi “Great Kan-Japanese Dictionary” / Shinichi Kusamori; Photo: Kishin Shinoyama
Series ⑥ Dialogue between matter and form: About ant collections or dense spaces / Koichiro Ishizaki
Series ⑥ Decorative Space Theory: Botany of Arabesque / Hiroshi Unno
Series ⑥ Written Words, Replicated World ② / Koji Taki
Book review “The Myth of Seeing” / Jun Miyagawa
Design Digest Vacuum Cleaner and Others / Hisao Ishiwata
Rethinking ID⑨ Design for children / Tetsuo Arakawa
From Naoki Hiramatsu’s illustration collection

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Design No.158 June 1972. Cover design by Koji Kusafuka
Design No.158 June 1972. Cover design by Koji Kusafuka
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.

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Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.