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Content includes:
World Expo 1 Changes in the World Expo Masaru Katsumi, Hiroshi Yamaguchi, Ichiro Haryu
Masaru Katsumi, a Japanese beauty whose social mission is questioned
Japanese design system R.S. Thornton
Tadashi Ohashi’s illustration for Kikkoman Ikko Tanaka
Outdoor Exhibition Shuro Habara
Exhibition of three American illustrators Hiroshi Hara
Lo/Frasconi/Ungerer
Urbino City Design Policy Yukio Ota
Techne Computer Animation and TV Program Keitaro Tanahashi

Graphic Design / グラフィックデザイン, delved into the world of graphic design and visual culture. The magazine featured a broad range of content, including coverage of cutting-edge Japanese design and its history, as well as international graphic design.

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Graphic Design 36, 1969. Cover design by Seizo Tajima
Graphic Design 36, 1969. Cover design by Seizo Tajima
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.

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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

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The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.

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The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.