Idea 252, 1995

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Special Feature: Hyper Design Unit TOMATO Overview from Tomato, Words from Underworld, Text: Michael Horsham 6
Unplugged Design Gitte Kath Text: Lars Dybdahi
Noriyuki Tanaka, First six months of 1995 Text: Keiichiro Fujisaki
The Fine Art of Rodney Greenblat Text: Takahisa Iwayoshi
Leading U.K. Designers, Vaughan Oliver / Me Company / Why Not Associates Text: Shigeru Watano / Yachiyo Matsuzaki
Series: Elements – Re Elements Part 1 by Keiji Ito – Ichiro Higashiizumi
Society of Illustrators, New York, 37th Annual Exhibition Text: Shinichiro Tora
Wong & Yeo, San Francisco Text: Hisaka Kojima
Four Part Series: Studio Dumbar – The Whle Story, Part 1: Recent Works Text: Shigeru Watano / Yachiyo Matsuzaki
New Urban Development Frank Gehry† Text: Shoichiro Higuchi
The 100 Best Posters from Europe and the United States, 1945-1990 Interview with Akira Hizawa / Naoko Ito
Ichiro’s debute Ichiro Higashiizumi / Ichiro Tanida
News & Information, Exhibition and Book Reviews, Addresses of Contributors
iichiko’s design strategy Text: Hideya Kawakita
Man and Writing Ikko Tanaka / Seigo Kaneko

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Idea 252, 1995. Cover design by Tomato
Idea 252, 1995. Cover design by Tomato
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.

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Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.