Idea 275, 1999-07

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Content:
Neville Brody – Research Studios (U.K.)
Why Not Associates (U.K.)
The Attik Design, Inc (UK/U.S.A.)
tomato (U.K.)
Jonathan Barnbrook (U.K.)
v23 -Vaughan Oliver + Chris Bigg (U.K.)
Vince Frost (U.K.)
Struktur Design (U.K.)
The Designers Republic (U.K.)
STILL -Chris Ashworth+Amanda Sissions (U.K.)
automatic (U.K.)
Johnson & Wolverton (U.S.A.)
Imaginary Forces (U.S.A.)
Stefan Sagmeister (U.S.A.)
Charles S. Anderson (U.S.A.)
Chip Kidd (U.S.A.)
Pablo Medina (U.S.A.)
House Industries (U.S.A.)
David Carson (U.S.A.)
52mm (U.S.A.)
MAKELA (U.S.A.)
Koeweiden Postma Associates (The Netherlands)
Ilja Sallacz (Germany)
Cornel Windlin (Switzerland)
Ralph Schraivogel (Switzerland)
cyan (Germany)
Graphic Havoc avisualagency (U.S.A.)
Robert Bergman-Unger (U.S.A.)
Tristan Pranyko (Croatia/U.K.)
Hajime Tachibana (Japan)
Hideki Nakajima (Japan)
Katsunori Aoki (Japan)
Noriyuki Tanaka (Japan)
Namaiki (Japan)
Ichiro Higashiizumi (Japan)
Fumio Tachibana (Japan)
Series: TADANORI YOKOO -Source Vision of Design [vol.3]
Shinro Ohtake: Serial Bound-in Magazine Supplement – Part 3
Visual Design Art of 83th Nika Exhibition
The 59th Annual Exhibition of Bijyutsu Bunka Art Association

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Idea 275, 1999-07. Cover design by Tomato
Idea 275, 1999-07. Cover design by Tomato
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Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.
Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.
A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.