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Peter Blake, Stedelijk Museum, Amsterdam, 1973 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
Peter Blake, Stedelijk Museum, Amsterdam, 1973 designed by Wim Crouwel and Daphne Duijvelschoff (Total Design)
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Oskar Reiner advertisements for Opel distinguish themselves by clarity and visually appealing conception.

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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.