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Graphic Design History from Design Reviewed
Wolf D. Zimmermann - Graphic Designer - Germany

2. Internationales amateur-jazz-festival Düsseldorf ’66, 1966

Information

Details

  • Format: Programme
  • Designer/s: Wolf Zimmerman
  • Year: 1966
  • Client/Publisher: amateur-jazzfestival, Düsseldorf, Germany
  • Size: 250mm x 265mm

Linked Information

2. Internationales amateur-jazz-festival Düsseldorf '66, 1966. Designed by Wolf Zimmerman
2. Internationales amateur-jazz-festival Düsseldorf ’66, 1966. Designed by Wolf Zimmerman
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Braun+Design, 18, 1991. Designed by Jo Klatt.
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Braun+Design, 18, 1991

  • Format: Magazine
  • Designer/s: Jo Klatt
  • Year: 1991
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Hippie Modernism: The Struggle for Utopia, Walker Art Center, 2016

  • Format: Book
  • Year: 2016
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Perspektiven, Literatur, Kunst, Musik, 3, 1953. Cover design by Paul Rand
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Perspektiven, Literatur, Kunst, Musik, 3, 1953

  • Format: Book
  • Designer/s: Paul Rand
  • Year: 1953
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Olle Eksell - Swedish Graphic Designer, 2006
From the design archive:

Olle Eksell – Swedish Graphic Designer, 2006

  • Format: Book
  • Designer/s: Olle Eksell
  • Year: 2006
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Playing Cards, Takenobu Igarashi, Museum of Modern Art, 1993
  • Design Archive Feature, Members Only Content

Takenobu Igarashi. Japanese Graphic Designer | 1944

Takenobu Igarashi was born in 1944 in Tokyo and is best known for his typographic work as both a sculptor and designer. His work in over 30 permanent museum collections and continues to inspire designers today.
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  • Design Books

Volume launches the first major retrospective of American graphic design polymath and mid-century modernist master, Rudolph de Harak

In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.

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A Collection of Japanese Ephemera from the 1930s and 1940s
  • Design Archive Feature, Members Only Content

A Collection of Japanese Ephemera from the 1930s and 1940s

Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.

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Advertisements for Radio Italiano designed by Erberto Carboni Scanned from Publimondial 29, 1950
  • Design Archive Feature, Members Only Content

Erberto Carboni and his work for Radio Italiana, 1940s and 1950s

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.