2 Kinetic Sculptors, Nicolas Schöffer and Jean Tinguely, 1966

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Exhibition catalogue designed by American graphic designer, artist and archivist Elaine Lustig Cohen.

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2 Kinetic Sculptors, Nicolas Schöffer and Jean Tinguely, 1966. Designed by Elaine Lustig Cohen
2 Kinetic Sculptors, Nicolas Schöffer and Jean Tinguely, 1966. Designed by Elaine Lustig Cohen
2 Kinetic Sculptors, Nicolas Schöffer and Jean Tinguely, 1966. Designed by Elaine Lustig Cohen
2 Kinetic Sculptors, Nicolas Schöffer and Jean Tinguely, 1966. Designed by Elaine Lustig Cohen
Exhibition catalogue designed by American graphic designer, artist and archivist Elaine Lustig Cohen.
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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.

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Max Huber was born in 1919 in Switzerland. He studied at the Kunstgewerbeschule (School of Arts and Crafts) in Zurich where he excelled in graphic design and photography.  Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.