Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940

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Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940
Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940

 

Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940
Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940

 

Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940
Albertus specimen, (typeface by Berthold Wolpe), Monotype, ca. 1940
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Each year, leading Dutch artists were commissioned to design the covers and inner pages of Drukkersweekblad en Autolijn. Including designers included Dick Elffers, Willem Sandberg, Jan van Toorn, Wim Crouwel, and Jurriaan Schrofer. The journal documented important design trends and developments in The Netherlands.

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One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.