Alphabet and Image 7, Shenval Press, 1948

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Contents: “The Engraved Letter-Forms of Reynolds Stone” by Percy Muir; “The Sketchbooks of Claude Lovat Fraser” by Gerard Hopkins; “Watchpapers: A Neglected Conceit” by Roland Knaster; “The Drawings of Robin Jacques” by John Keir Cross; “Some English Decorated Initials” by A. F. Johnson; Book Reviews by Allen Hutt, Graham Reynolds and others.

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Alphabet and Image 7, Shenval Press, 1948
Alphabet and Image 7, Shenval Press, 1948
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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.

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Perusing an issue of Der Druckspiegel from 1962, I found these fantastic examples of Swiss Design, produced for the University Ball at the University in St. Gallen, Switzerland, in 1961. The advertising matter included posters, newspaper advertisements, cinema slides, invitation cards and a booklet.