Information

Content Includes:
Building The World of To-Morrow: The New York World’s Fair by Walter Dorwin Teague
Ourselves As Others See Us
Selling The Savoy Hotel
Campaigning Camera-No. 2 by Walter Nurnberg
The House Built On a House Journal by E. Symes Bond
Popularising The Publicity Photograph In Italy
Design Dossier: Otto
Campaigns Commentary
Making The Poster Pull Its Weight: Frank Pick Sets Standards for the Designer
Around And About
In Colour: Poster By Joseph Binder For The New York World’s Fair

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Art and Industry 154, January 1939. Cover design by Jean Picart Le Doux
Art and Industry 154, January 1939. Cover design by Jean Picart Le Doux
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.