Information

Content includes:
The Letter B [evolution chart]
Business men! Your minutes are precious!
A Precursor to the Teaching of Perspective: Jean Pèlerin
Drawing by Man Ray, from “The Empty Hands”
Trompe-l’oeil
Cover by Ben Sussan for a Nouvelle Revue Française book
Nathalie Parain’s illustration for a Nouvvelle Revue Française children’s book
The Fabrication Technique for Wallpaper
Lead-alloy printing specimen
Photograph by Marie and Borel [nude woman in rocky landscape]
Concerning the New Concept of Mural Advertising, Lucien Mazenod
Illustration from Volume V of the “French Encyclopedia” [sea urchins]
Advertising for the London Underground Transport Company
The Eleventh Dream
recto, verso: Brochures published by the Swiss Train Service
Advertising brochure published by Otto Kösler, Stuttgart
Jean de Brunhoff
Frenzel
The Film: “The Letter”
Specimen of alfa grass paper
Vaugirard Printery Is the Typographic Press of Arts et Métiers Graphiques
Jules Breton and Co. Evette Germain and Co. Successors
The Plastic Sense of Tintoretto Drawings

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Linked Information

Arts et Metiers Graphiques, 61, 1938
Arts et Metiers Graphiques, 61, 1938
Arts et Métiers Graphiques, (AMG), was a prominent French graphic arts magazine that published 68 issues from 1927 to 1939.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Yoshio Hayakawa was born in Osaka, Japan, in 1917 and became a leading designer and artist in postwar Japan. His work was a harmonisation of traditional Japanese art with Western art.
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.

Members Content

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.