Atlas Filmheft 47 – Bel Antonio

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Fischer-Nosbisch was a studio founded by the husband-and-wife team of Fritz A. Fischer and Dorothea Nosbisch.

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Atlas Filmheft 47 – Bel Antonio designed by Fischer-Nosbisch
Atlas Filmheft 47 – Bel Antonio designed by Fischer-Nosbisch
Fischer-Nosbisch was a studio founded by the husband-and-wife team of Fritz A. Fischer and Dorothea Nosbisch.
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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.

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Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.