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Daniel Graffin, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and André Toet (Total Design)
Daniel Graffin, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and André Toet (Total Design)
Daniel Graffin, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and André Toet (Total Design)
Daniel Graffin, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and André Toet (Total Design)
Daniel Graffin, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and André Toet (Total Design)
Daniel Graffin, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and André Toet (Total Design)
Daniel Graffin, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and André Toet (Total Design)
Daniel Graffin, Stedelijk Museum, Amsterdam, 1977 designed by Wim Crouwel and André Toet (Total Design)
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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.
Marin Lorenz has had an amazing career, designing for clients such as ESPN and Nike, teaching at some of Europe's leading design schools and publishing books, such as Flexible Visual Sytems, documenting his research and approach to design practice.
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice.

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The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.