Design, Council of Industrial Design, 223, July 1967

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Content includes:
Leader: Educationists on the tight-rope
By rail to the future by Richard Carr
Red letter days for the Post Office by David Wainwright
Psychology and design by Brian Wells
The safe design of guillotines by Anthony Smallhorn
Basil de Ferranti (Eton and Swedish General Electric) by David Wainwright
A shop extension at Sutton
Nine-piece steel kit for family living
Do-it-yourself dinghy by Graham Watts
Products, interiors, events, ideas

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Design, Council of Industrial Design, 223, July 1967. Cover design by Steve Dwoskin
Design, Council of Industrial Design, 223, July 1967. Cover design by Stephen Dwoskin
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Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.
A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.